नॄषभ

यूनान की पौराणिक कथा में, नॄषभ या नरर्षभ (प्राचीन यूनानी : Μινώταυρος) शास्त्रीय प्राचीनकाल के दौरान एक साण्ड के शिर और पुच्छ तथा एक पुरुष के शरीर के साथ चित्रित एक पौराणिक प्राणी है ^[1] या, जैसा कि रोमन कवि ओविद द्वारा वर्णित है, एक "आंशिक पुरुष और आंशिक साण्ड"। ^[a] वह भूलभुलैया के केन्द्र में रहता था, जो एक विस्तृत भूलभुलैया जैसा निर्माण था ^[b] जिसे क्रीत के राजा मिनोस के आदेश पर वास्तुकार दाइदालोस और उनके बेटे ईकारोस द्वारा डिजाइन किया गया था।

सन्दर्भ

1 2 Kern, Hermann (2000). Through the Labyrinth. Munich, London, New York: Prestel. ISBN 379132144-7.
↑ Ovid. Ars Amatoria. 2.24.
↑ A. Pedo cited by Rusten, J.S. (Autumn 1982). "Ovid, Empedocles, and the Minotaur". The American Journal of Philology. 103 (3): 332–333, esp. 332. डीओआई:10.2307/294479. जेस्टोर 294479.
↑ Doob, Penelope Reed (April 1990). The Idea of the Labyrinth: From Classical antiquity through the Middle Ages. Ithaca, NY: Cornell University Press. ISBN 978-080142393-2.
↑ Kern (2000);^[1]^:{{{1}}} Doob (1990)^[4]^:{{{1}}}

↑ According to Ovid:
semibovemque virum semivirumque bovem,^[2]
one of the three lines that his friends would have deleted from his work, and one of the three that he, selecting independently, would preserve at all cost, in the apocryphal anecdote told by Albinovanus Pedo.^[3]
↑ In a counter-intuitive cultural development going back at least to Cretan coins of the 4th century BCE, many visual patterns representing the Labyrinth do not have dead ends like a maze; instead, a single path winds to the center.^[5]

उद्धरण त्रुटि: "lower-alpha" नामक समूह के लिए <ref> टैग्स हैं मगर कोई संबंधित <references group="lower-alpha"/> टैग नहीं मिला।

[Kern-2000-1] 1 2 Kern, Hermann (2000). Through the Labyrinth. Munich, London, New York: Prestel. ISBN 379132144-7.

[2] Ovid. Ars Amatoria. 2.24.

[3] A. Pedo cited by Rusten, J.S. (Autumn 1982). "Ovid, Empedocles, and the Minotaur". The American Journal of Philology. 103 (3): 332–333, esp. 332. डीओआई:10.2307/294479. जेस्टोर 294479.

[Doob-1990-5] Doob, Penelope Reed (April 1990). The Idea of the Labyrinth: From Classical antiquity through the Middle Ages. Ithaca, NY: Cornell University Press. ISBN 978-080142393-2.

[6] Kern (2000);^[1]^:{{{1}}} Doob (1990)^[4]^:{{{1}}}

[4] According to Ovid:
semibovemque virum semivirumque bovem,^[2]
one of the three lines that his friends would have deleted from his work, and one of the three that he, selecting independently, would preserve at all cost, in the apocryphal anecdote told by Albinovanus Pedo.^[3]

[7] In a counter-intuitive cultural development going back at least to Cretan coins of the 4th century BCE, many visual patterns representing the Labyrinth do not have dead ends like a maze; instead, a single path winds to the center.^[5]

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