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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason: Public domainPublic domainfalsefalse This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. इस फ़ाइल को कॉपीराइट कानूनों के अंतर्गत सभी संबंधित अधिकारों समेत ज्ञात सीमाओं से मुक्त पहचाना गया है। https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Description from the Original

Water-colour painting of Landour in Uttar Pradesh by Sir Charles Walters D'Oyly (1822-1900) in 1869, made while D'Oyly was Deputy Superintendent, Stud Dept, at Haupper.

Landour, a small village near Mussoorie, in the Himalayan foothills developed as a 'hill-station' following the popularity of nearby Shimla, the summer capital of British India. A convalescent centre for soldiers was established at Landour and the town soon merged with Mussoorie. Many substantial homes appeared, precariously situated on the mountainside, some belonging to Maharajas and others belonging to more humble residents. By 1842 the town consisted of 42 houses, a hotel and five barracks. The clientele for the new resort came from far and wide and it was soon dubbed ‘Queen of the Hill Stations’ due to its spectacular and varied mountain scenery.